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Aaron Witcher


Though its primary sense refers to the flight of slaves from plantation spaces to forested and/or mountainous regions, marronage has grown in significance and meaning since the era of slavery and colonialism in Martinique. The term marronage, then, refers to a large gamut of resistance (political, cultural, memorial, or otherwise) whose dynamism renews its relevance and purchase even into the eras beyond slavery and indentured servitude. Drawing on the theoretical and poetical works of poet-philosopher Édouard Glissant, my dissertation, entitled “Tourner autour du Mahagony: Marooning poetics of Martinican literature,” explores how the dynamics of marronnage—notably flight, fugitivity, and re-membering—are taken up by a number of Martinican authors and translated into poetics that propose new, more marron articulations of Martinican (indeed, Caribbean) identity and history. The latter, like the acts of marronage that inform and inspire them, draw a portion of their animus from their relations to what Glissant calls entour, namely their natural and cultural “surroundings.” The work performed by these poetics points therefore to relational and ecological modes of being and re-membering.