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Faculty Fellows 2020-21

Sabine Doran

In the wake of “color revolutions” (e.g., the Orange Revolution in Ukraine, the Purple Revolution in Iraq) as they unfolded in the streets, squares, and media platforms of the 21st century, my project, entitled Stigmaesthetics: Blood and Pixels in Multi-Media Art, endeavors to theorize the racially and politically charged topoi of the color red, specifically in the topoi of “open wounds,” “pure blood,” “contagious” or “mixed blood.”  Stigmaesthetics explores, primarily in multi-media installations, artistic engagements with stigmatic wounds of racial and social and injustice from the end of the twentieth century to the present, as they perform the mixing of the technological and the corporeal both formally and aesthetically. In short, this project explores an aesthetics of rupture: the ruptures that punctuate relational networks of circulation through virtual corporealities of blood. 

Emmanuel Bruno Jean-Francois

Emmanuel Bruno Jean-François is Assistant Professor of French & Francophone Studies, and Comparative Literature at The Pennsylvania State University. He is the author of Poétiques de la violence et récits francophones contemporains (Brill, 2017) and has published numerous articles in scholarly journals such as the PMLA, the International Journal of Francophone StudiesNouvelles études francophones, and Lettres romanes. Jean-François has recently co-edited a special issue of Cultural Dynamics on “The Minor in Question.” He is currently working on a second monograph, titled Indian Ocean Creolization: Empires and Insular Cultures. The project is an interdisciplinary study of creolization and networks of solidarities in the southwestern Indian Ocean; it examines how “insular” histories and cultures are contact zones that can have a direct bearing on our apprehension of larger processes within imperial dynamics.

Maha Marouan

Maha Marouan is an African feminist scholar, writer and documentarian. She is associate professor of Women, Gender and Sexuality Studies and African Studies. Her publications include Witches, Goddesses and Angry Spirits: The Politics of Spiritual Liberation in African Diaspora Women’s Fiction, (Ohio State University Press, 2013), a co-edited volume on Race and Displacement: Nation, Migration and Identity in the Twenty-First Century (University of Alabama Press, 2013) and a documentary entitled Voices of Muslim Women in the US South (Women Make Movies, New York, 2015). Her academic and creative works appeared in The Boston Review, Transition Magazine of Africa and the African Diaspora and Journal of Islamic Africa. Her research and teaching interests include, Religions and Literatures of Africa and the African Diaspora, Comparative Literature, Transnational Feminisms and Women and Immigration. 

Christopher Reed

Christopher Reed is Distinguished Professor of English and Visual Culture. His twelve books treat various aspects of the social significance of art and design, often in relation to literature. At the CHI, he will explore the implications of Vilém Flusser’s theories of visuality to the development of modern art and literature, starting with Nathaniel Hawthorne.

Jooyeon Rhee

Jooyeon Rhee is assistant professor of Asian Studies and Comparative Literature. Empire of Crime: Cultural Topography of Japanese Imperialism in Detective Fiction is her second book project that investigates detective fiction works that were produced mainly in colonial Korea (1910-1945). It considers detective fiction as a colonial archive since it encapsulates the paradox of colonial modernity in which the confrontation between rational and irrational, social and anti-social, order and disorder, reality and fantasy of modernity manifests in such intensity in the forms of murder, deviant sexuality, transnational economic/social mobility, etc. During her residency, Jooyeon will examine fiction penned by Japanese residents in colonial Korea by focusing on the spatial significance of crime narratives as a way to see how the writers perceived their positions and formed their identities away from the center of the empire.  

Anna Ziajka Stanton

Anna is Caroline D. Eckhardt Early Career Professor and Assistant Professor of Comparative Literature. She is a scholar of Arabic literature and culture, world literature, and translation theory, as well as an active translator of Arabic texts in multiple genres. Her current book project examines the ethics of literariness in English translations of Arabic literature as a matter of literary and linguistic forms, and the embodied and affective encounters that such forms invite from a translator, reader, or critic. She is also interested in the question of how 21st-century Arabic literary prizes are reshaping the ways that the modern Arabic novel circulates in today’s world literary field. Her scholarship has appeared in Philological Encounters and the Journal of Arabic Literature, and is forthcoming from the Journal of World Literature. Her translation of Hilal Chouman’s novel Limbo Beirut was longlisted for the 2017 PEN Translation Prize and shortlisted for the 2017 Saif Ghobash Banipal Prize for Arabic Literary Translation.