How does reading printed texts by and about Black doctors transform our understanding of American medical history, scientific racism, and the push for professionalization? So asks my dissertation, A Practice of Print: Race, Doctoring, and Medicine in Post-Bellum, Pre-Harlem Black Print Culture. Black medical professionalism was never merely about physical treatment but was instead always entangled in projects of racial uplift and the critique and reform of (extra-) medical structures. Performing what I call a Black critical medical humanism, the doctors I write about—both real and fictional—challenged prevailing discourses of African American inhumanity and ungrievability in order to promote a new kind of medicine—one that might indeed do no harm.