Daniel Zolli teaches and writes about late medieval and early modern European art, with particular interests in the materials and techniques of art, workshop practice, art’s theorization in oral tradition, “shop talk,” and popular folklore, and – most recently – art’s entanglements with toxicity and the environment. He is co-editor of three books: Sculpture in the Age of Donatello (D. Giles, 2015), The Art of Sculpture in Fifteenth-Century Italy (Cambridge U Press, 2020), and Contamination and Purity in Early Modern Art and Architecture (Amsterdam U Press, 2021). At the CHI, he will work on his monograph, Donatello’s Promiscuous Technique: Collaboration and Experimentation in a Fifteenth-Century Workshop.